march 2003 the rocks / everybody in the place cd single sr01382 + 7” sr01387 (distributed by cargo)

everybody in the place/i won’t need you when you’re dead/sicko (cd only)

‘It’s the best debut of the year, and will probably remain so. It’s institutionalised England gone mad. It’s everything that means everything. It’s loud. It’s hope. It’s god. And it’s fucking alive man, it’s fucking alive..’ The Fly

 ‘..they have the most pissed sounding vocalist since Shane MacGowan, and they deserve credit for that alone. When he screams ‘JUST F**KING LEAVE IT’ during ‘Everybody In The Place’ it’s easy to imagine that he really is in the middle of a fight, and it’s quite likely that he started it. ‘I Won’t Need You When You’re Dead’ meanwhile, sounds like a homeless man singing Elvis on the night bus’ Kerrang

 

 

July 2003 We Got It/ The Bomb/Save The Wolf/We Got It (video) cd single, sr77342+ 7” sr01092 (distributed by cargo) 

‘If the Strokes were made of cheese, you'd only have to mention a grater and they'd cry. The Rocks , conversely, would wiggle and squirm, wail like Jagger, and fight the grater tooth and nail. They'd lose. But they'd lose like naked writhing beasts. Which we think is important.’ The Fly

‘As early Oasis proved, arrogance is the essence of pop. So here's London boy-girl five piece The Rocks with a track that not only declares it's confidence but demonstrates it. A bouncing Motown bass and tickling drums define the groove, before James Taylor's Princey falsetto enters, then letting his layrnx rip into the chorus. Combines with the thrashier 'The Bomb', this is a real statement of intent from one of few British garage hopefuls.' X-Ray Magazine

'Yes! Just as hillbilly rockers Kings of Leon will undoubtedly crumble once they're forced to miss Bible class, so the new wave of scuzz-ball Brit rockers will rise up and take their place. First up, The Rocks. They have post-rock NYC riffs. They have hair which looks like the Cooper Temple Clause after a powercut down at Fish. Come on, at least they're not Australian' NME

 
   
 

november 2003 celeste cd single sr80082 (distributed by cargo)

celeste / someone who cares / the bomb (video) (cd only)

‘It’s a girl-on-boy romp across brilliantly shimmering guitars that doesn't even come up for air, let alone a post-coital cigarette’ NME

‘Thus far The Rocks have built themselves a nice little reputation as scuzzy, raucous, rock n roll deviants. Which makes the charming 'Celeste' something of a surprise. Yes, it's still out of tune and yes, it's still rough around the edges. But the bands third single is also the kind of harmony-enhanced ditty that would befit a world of 'Greased Lightnin' and 50s highschool proms and it's all the better off for it.' Rocksound

‘There's an incredibly thin line between genius and madness and a thinner one still between pop and rock. Trust me, the evidence is here. Had Busted, Good Charlotte, even Gareth Gates recorded the reto-pop of 'Celeste' - and it's not the sort of thing any of them would happily tackle - they would have been dismissed out of hand. So why are The Rocks getting the thumbs up? Search me, when something is this joyful and infectious you just have to go with the flow.' LOGO

 
 
 

July 2004 Can You Hear Me? CD/7"

....the whole thing would have sounded a lot better if it had been recorded for a fiver, like The Rocks' 'Can You Hear Me?' (scratchy). A stroppy, Britpoppy garage rock blast, vocalist James Taylor howls like a man in dire need of a Strepsil. Which is good. - NME

As singer James Taylor is credited here with 'shouting' it gives you an inkling of what you're in for. 'Can You Hear Me?' is the sound of a man hysterically sobbing at the ankles of th scuzz rock gods. Dirty riffage provided by Mauro Venegas and the delicious Sarah Bacon. Think The Clash being eaten by lions. Brilliant. - Rocksound (Single of the Month)

 

   
 

August 2004 Asking For Trouble album CD only

great name, great band...the rocks unleash an explosive debut album - music week

...mix of blazing guitars, shiny pop melodies and the sort of screaming normally reserved for teen slasher movies... - the guardian

a lucky bag of very live and alive sounding treats - the obsever

If the strokes were fronted by a massive score of drugs that make you go 'raargh' they'd probably sound as anthermic as this. - the fly

hopeless, wank for brains camdenite twatoids - tim jonze nme

The Rocks' insane rambling brilliance captured on record better than ever before - the songs on this record can broadly speaking be put into two categories: Lush 60s pop songs with choruses that swoop like sha-la-la-ing eagles, and elastic limbed punk-disco stompers that will have you pogoing around your bedroom like a pre-pubescent Busted fan. - Joyzine

 

 

Plus:

Sicko (Artrocker New Blood Vol II, CD Album, cat. no. RRR33010)

Everybody In The Place (Acupuncture Rocks CD Album, cat. no. ECHCD49)

We Got It (Galen REmix) (Angluar Records Sampler 'Rip Off Your Labels', cat. no. ARC004)

Celeste (Fierce Panda Compilation 'On The Buzzes', cat. no. NING155CD)

Celeste (Live) (Bring Your Own Poison Live at the Rhythm Factory Album)